Bebes livslånga arbete med Tom Waits musik och artisten själv har naturligtvis satt sina spår och när Bebe 2025 utgav sitt första soloalbum ”Piano ballads & improvisations” på Ella Ruth-Institutet tyckte vissa att sångerna påminner om en jazzigare Waits.
Ikväll får vi höra Bebes sånger och några av Waits samt höra lite skrönor från deras samarbete.

AKT UNG! - scenen för unga poeter är tillbaka. En av Nordens viktigaste språngbrädor för unga författarskap, där nya röster samsas på scen under en kväll. 

Årets föreställning äger rum torsdagen den 11/12 kl. 19.00 på Teater Giljotin i Stockholm. Därefter blir det fest! Du kan läsa mer om 20TAL och AKT UNG! på 20tal.se.

Gyllene Hjärtat-galan: Film & TV-avdelningens pris för att hedra de som bidrar till en god och hälsosam arbetsmiljö i film- och TV-branschen.

From Kherson to Stockholm, two theaters echo the same heartbeat. A special partnership bringing you a unique opportunity, from the heart of Ukraine!

With his no-holds-barred storytelling, charm, improv and witty delivery,
Expect a night of raw comedy, storytelling, drips of Sarcasm and definitely,
political incorrectness at it’s best 🐿

What is said about him :

Effortlessly funny ;- TimeOut Magazine (Kuala Lumpur)

So relatable and yet so interesting, Simply hilarious - darkpebble magazine

The Africa’s Charm: The NewTimes Rwanda

Not Your Typical Comic, Impressed : The Sun, Kampala

Tana Manevas elektriska performanceverk om kvinnligt konstnärsskap som utvecklar sig i kropp och handling. Verket vänder sig inåt för att spegla sig i rationalitet och galenskap, skärskåda den kvinnliga identiteten och luckra upp konventioner. Spänningsfältet mellan persona och det ocensurerade självet. 

Tana Manevas elektriska performanceverk om kvinnligt konstnärsskap som utvecklar sig i kropp och handling. Verket vänder sig inåt för att spegla sig i rationalitet och galenskap, skärskåda den kvinnliga identiteten och luckra upp konventioner. Spänningsfältet mellan persona och det ocensurerade självet. 

Tana Manevas elektriska performanceverk om kvinnligt konstnärsskap som utvecklar sig i kropp och handling. Verket vänder sig inåt för att spegla sig i rationalitet och galenskap, skärskåda den kvinnliga identiteten och luckra upp konventioner. Spänningsfältet mellan persona och det ocensurerade självet. 

Tana Manevas elektriska performanceverk om kvinnligt konstnärsskap som utvecklar sig i kropp och handling. Verket vänder sig inåt för att spegla sig i rationalitet och galenskap, skärskåda den kvinnliga identiteten och luckra upp konventioner. Spänningsfältet mellan persona och det ocensurerade självet. 

Tana Manevas elektriska performanceverk om kvinnligt konstnärsskap som utvecklar sig i kropp och handling. Verket vänder sig inåt för att spegla sig i rationalitet och galenskap, skärskåda den kvinnliga identiteten och luckra upp konventioner. Spänningsfältet mellan persona och det ocensurerade självet. 

Freshly minted viral superstar Patrick Spicer brings his quick wit, effortless crowd-work and hilarious true stories to Stockholm!

Låt oss drömma fritt om konst,

Låt oss drömma om ett samhälle som drömmer om konst

Låt oss drömma om, till exempel
en novemberkväll
på Teater Giljotin
med fyra akter
som delar scen och blandar konstformer.

19-22 //

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Sundeep Bhardwaj brings together hilarious stories from his life, and his perspective on the crisis in the middle east.

An Indian Luxembourgish comedian talking about Israel and Palestine?! What could go wrong? Relax.

Lets have an evening with a bit of ridiculous history, some storytelling, and lots of jokes!

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Teater Fatal (SE), in collaboration with the writing group GORE (UK), presents R U Scared Yet? - a physically intrusive and intense dance performance where fear is not a story, but a bodily process. Four dancers meet four newly written texts in a collision of language and movement, where every sound and motion is a battle against the limits of the body. It is a ritual where desire and disgust, terror and pleasure meet in a wild, physical dialogue—an exorcism of the uncomfortable.

Here, all boundaries dissolve, and fear is experienced not as a moment, but as a pulse through muscle, bone, and skin. This is a dance that forces us to feel fear, to live through it. A physical breakdown, an experience you don’t just witness: you live it. R U Scared Yet?

Radioversionen av föreställningen Att högtidlighålla sina egna inre motsättningar och motsägelser har premiär den 5 oktober kl. 16.00 på Teater Giljotin i Stockholm och samtidigt även på Radioarts digitala scen. Premiären introduceras av skådespelaren Eli Frankel.

Laugh with Europe’s comedy nomad, Victor Pãtrãşcan - the rebel comedian-philosopher whose sharp jokes have taken him to about 60 countries, millions of screens, and even onto a few government watchlists (true story: he’s officially banned by the new Georgian government for being ‘too funny’).

This show is packed with new material you haven’t heard before, so don’t miss it! Victor returns with his trademark style of comedy - bold insights, unscripted moments, and cheeky observations that make you think long after you laugh. He doesn’t provoke just to shock; with curiosity and care, he dives into politics, culture, religion, identity, and the topics we argue about online but laugh about in real life.

Laugh with Europe’s comedy nomad, Victor Pãtrãşcan - the rebel comedian-philosopher whose sharp jokes have taken him to about 60 countries, millions of screens, and even onto a few government watchlists (true story: he’s officially banned by the new Georgian government for being ‘too funny’).

This show is packed with new material you haven’t heard before, so don’t miss it! Victor returns with his trademark style of comedy - bold insights, unscripted moments, and cheeky observations that make you think long after you laugh. He doesn’t provoke just to shock; with curiosity and care, he dives into politics, culture, religion, identity, and the topics we argue about online but laugh about in real life.

En rapp, humoristisk och lekfull föreställning om propaganda och desinformation och vad det gör med en familj när man hamnar på olika sidor om sanningen.

Svensk-ryska Anjas bästa vän är kusinen Michail i Ryssland. Det finns ingen annan idiot i världen som hon älskar att dissa så innerligt och den ohyvlade kärleken är ömsesidig. Anja och hennes mamma reser ofta på besök till släkten. Men den dag Ryssland invaderar Ukraina ritas en skiljelinje mellan familjemedlemmarna, en blodröd.

En rapp, humoristisk och lekfull föreställning om propaganda och desinformation och vad det gör med en familj när man hamnar på olika sidor om sanningen.

Svensk-ryska Anjas bästa vän är kusinen Michail i Ryssland. Det finns ingen annan idiot i världen som hon älskar att dissa så innerligt och den ohyvlade kärleken är ömsesidig. Anja och hennes mamma reser ofta på besök till släkten. Men den dag Ryssland invaderar Ukraina ritas en skiljelinje mellan familjemedlemmarna, en blodröd.